N#jY'F# To read on e-ink devices like Kobo eReaders, you'll need to download a file and transfer it to your device. There was a justifiably big buzz about this theatrical event the Euro-guru and the singular actress, reunited in London for three weeks only after their magnificent 2016 Hedda Gabler at the National - which makes the disappointment seem more crashing. Jean Cocteau's 1930 monodrama, La Voix Humaine, is melodramatic enough - but the play is toughened theatrically because the audience hears only one half of the conversation, writes Julian Murphet. Each email has a link to unsubscribe. Cocteau's experiments with the human voice peaked with his play La voix humaine. With this new inhuman instrument now the prime mediator of the human voice that rich sonorous carrier of soul broken down into electrical signals and travelling at light-speed rather than the speed of sound the very substance of intimacy had been usurped. At the Harold Pinter theatre, London, until 9 April, Original reporting and incisive analysis, direct from the Guardian every morning, 2023 Guardian News & Media Limited or its affiliated companies. Facebook would presumably have saved this woman from her fate. If you cheated on me out of kindness and I noticed it I would only have more affection for you, she tells her lover. Cocteau is best known for his novel Les Enfants Terribles (1929), the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949), and his stage play La voix humaine (1930). There has also been a long line of interpreters including Simone Signoret, Ingrid Bergman and Liv Ullmann (in the play) and Julia Migenes, Denise Duval, Renata Scotto, Anja Silja and Felicity Lott (in the opera). For the most part, she compels and rewards the minute focus we are obliged to give her every giggle, snort and snivel. You can listen to audiobooks purchased on Google Play using your computer's web browser. This series contains biographical materials such a family photographs, diplomas, memorabilia from school, clippings, family Bibles, correspondence with Masons parents, career biographies and other memorabilia.Correspondence: The first part of this series, boxes 6-7, contains letters from people who corresponded frequently with Mason, or were notable personages. The monologue triggers the woman's crippling depression. Before came Orphe, later turned into one of his more successful films; after came La Machine infernale, arguably his most fully realized work of art. This splendidly truthful actress handles most of the scripts emotional hairpin turns with poise and nuance. Interview: The Best Time to Be Alive and The Reclamation of Identity, IOTF 2023: INTERNATIONAL ONLINE THEATRE FESTIVAL Theatre and Its Others Launches April 17-30, With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary, Theatre Is King: The 2023 Kenya Theatre Awards, Woman, Life, Freedom: Theatre and Protest in Iran: A Virtual Roundtable in Honor of World Theatre Day, Olivier Frlji and The Cancellation of His Un-Divine Comedy, Workcenter of Grotowski and Richards Open Program in NYC, IOTF 2023: INTERNATIONAL ONLINE THEATRE FESTIVAL, The House Where Phantom Lived. jZABi@\Phu*?I0Xj0.#Mv@=oLHa5aU~F5L@C98g!Xd!gFIG ^`y(ddPd$AhS?w+CU\XJ8c)h
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A+S0z]oBP`/}]fZjo`~h MGySGhmM_;qsB-ewk1&$x=^tF6=d(Z aB}gFeO|9m`G? C*x&Tz4I}}=D}`P 4 0 obj Main Menu The Human Voice Jean Cocteau, Anthony Wood 3.99 498 ratings39 reviews Text: English (translation) Original Language: French Genres PlaysTheatreDrama FranceFrench LiteratureFiction20th Century .more 30 pages, Paperback First published January 1, 1924 Book details & editions About the author Jean Cocteau 483 books717 followers The Human Voice reworks a play by Jean Cocteau. Initially cordial, even fond, she becomes by turns melancholic, angry, melodramatic and distraught. But shes battered on one side by the heavy-handed directorial conceits and on the other by a script - also adapted by van Hove - that clunks along like a Model T Ford. 102 page scans Catalog Record. plus-circle Add Review. Sydney Festival/Prudence Upton, Halina Rejin is performing Jean Cocteaus La Voix Humaine at Carriageworks as part of the Sydney Festival. (Open from 11.30am - 7.30pm, Mon to Sat) This sub-series is also divided into three sub-series; Northwestern University and Northwestern Productions, box 29, Eagles Mere Playhouse, box 30, and Professional, boxes 31-57. Her assumed fortitude gradually crumbles over an hour as inner desperation rises to consume her. Reviews: Boxes 129-134 contains reviews of plays Mason directed.Audio-visual Materials: Is split into three sub-series. Scripts and rental materials are not included in this estimate. This post was written by the author in their personal capacity.The opinions expressed in this article are the authors own and do not reflect the view of The Theatre Times, their staff or collaborators. About this ebook. Details here. At the critical point, she leaves the phone to appeal directly across the fourth wall, or sliding plate glass window, to us and her lover now revealed as a neighbour Rear Window style. The Human Voice Get involved in exciting, inspiring conversations. Pedro Almodvar's Women on the Verge of a Nervous Breakdown (1988) is also inspired by Cocteau's play. Thesis Prepared Fo https://findingaids.library.northwestern.edu/repositories/6/archival_objects/479967 Accessed May 02, 2023. Wilson plays a woman on the phone to her lover in this pretentious, dated production from the Euro-guru director. Ruth Wilson, as a spurned lover dressed in tracksuit bottoms and a Tweety Pie top, variously underplays and over-eggs her characters suffering. Only rarely does the attention stray from what she is asking us to credit as psychologically plausible. Skip to main content. Some student information is restricted. The bag full of hand-written letters she is supposed to return; the telegram that catalysed their love; the telephone exchange enabling their contact; and the party line buzzing with other voices this world is extinct. You'll have to sign in before you share your experience. The views expressed here belong to the author and do not necessarily reflect our views and opinions. TRACES: An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say? An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the telephone with the man she loves, but who has abandoned her for another. what is edgar xbrl validation errors and warnings. This item cannot be downloaded. All of this is drawn from the available lexicon of contemporary telephone behaviour the kind of thing were all too familiar with overhearing on the bus. Please try again later. endobj And I will be. Follow the detailed. Little was known about how it works or how to care for it, despite centuries of fascination with the voices of singers and actors Uniform Title Voix humaine. As such, it is a masterful display of how much realism can be read into an 80-year old play. There are cringing moments of overt theatricality when she imitates the couples dog, hugs her lovers shoes and mimes frenzy, sometimes with added dance moves, in musical interludes featuring Beyonc and Radiohead. Theres also something faintly pornographic about the whole thing, a vicarious glorying in female mental disintegration that you also see in Tennessee Williams plays. Film adaptation of Jean Cocteau's play of the same name. And for all its theatricality, the play remains stolidly sedate; a 65-minute monologue that creeps to its end. Do these influences inform the work you do? Get This Item. The Human Voice How the voice works was largely unknown until modern technology became available. Jean Maurice Eugne Clment Cocteau (5 July 1889 11 October 1963) was a French poet, writer, designer, playwright, artist and filmmaker. Jean Cocteau wrote it in 1928 as a simple showcase for an actresss range, and its been done on stage by Ingrid Bergman and Liv Ullman, adapted into an opera by Poulenc and a film by Almodovar, among others. Oh no, let me. Books, boxes 95-123, contain books mostly theater related, but also books from Masons own collection. Currently playing at Carriageworks as part of the Sydney Festival,Jean Cocteaus 1930 monodrama,La Voix Humaine, is melodramatic enough but the play is toughened theatrically by the fact the audience hears only one-half of the conversation. Here, its given a tricksy, pretentious production by the fted but erratic Belgian director Ivo van Hove and his designer partner Jan Versweyveld that exacerbates the flaws of the material. In Toneelgroep Amsterdams curious staging, the critical prop, the telephone receiver, is a cordless one (which makes the great line about the cord around her neck meaningless). Prose and Poetry, boxes 59-61, contains prose and poetry by Mason and others with whom he a professional or personal relationship with.Publications: This series is divided into a few sub-series. The other off-putting directorial decision is the arbitrary one of turning the set into a device for breaking up the monotony of the telephone call. Halina Rejin is performing Jean Cocteau's La Voix Humaine. Click here to book your tickets. 2 0 obj These structural anachronisms violate the material being performed: the throng of other voices on the line; the precious rarity of a connection; the sense of the telephone as the only, precarious method of contact across a large city. Its impossible to imagine the other side of this conversation that lasts more than an hour, even if its just happening in the womans head. Please contact the McCormick Library at specialcollections@northwestern.edu or 847-491-3635 for more information or to schedule an appointment to view the collection. The Human Voice 1973 . Twice. What we witness is a high-octane, psychologically-driven, breathless kind of naturalism; Reijn is a veritable human fountain of tics and defensive postures and giggles and faux-tough mannerisms. La Voix Humaine runs January 9-13 2014 at Carriageworks, Sydney. At their best, as with Samuel Becketts Krapps Last Tape and Not I, or Anton Chekhovs On the Harmful Effects of Tobacco, they plunge their audience in a claustrophobic emotional space with no exit sign. There have been vastly different versions of the central, tormented character, from Ingrid Bergmans tremulous chain-smoker in 1960 to Tilda Swintons imperiously wounded woman in Pedro Almodvars 2021 film. No, darling. 'The actress should give the impression that she is bleeding, losing her life's blood, like a wounded beast, finishing the play as if the bedroom is drenched in blood. Request licence Spurned lover Ruth Wilson in The Human Voice. Princess Charlotte pictured smiling ahead of eighth birthday, Ant and Dec among celebs invited to Coronation as guestlist revealed, Woman stabbed to death in street in Brixton, Couple ordered to tear down 80,000 extension in fight with neighbours, County lines mum ran selfish sons drugs ring while he was in jail. We will keep fighting for all libraries . I said: You would hear it in my voice. This deprivation of dramatic oxygen means we both sympathise with the psychological asphyxiation of the lead character, and assume a critical stance towards it. The costumes seem wilfully horrible. Search all Archival and Manuscript Collections, Marshall Mason (1940- ) Papers (31/6/194), https://www.library.northwestern.edu/libraries-collections/mccormick-library/index.html. La Voix humaine was written, in effect, as an extravagant aria for Madame Berthe Bovy. You must be at least 18 years old to create an account, Must be at least 6 characters, include an upper and lower case character and a number, I would like to be emailed about offers, events and updates from Evening Standard. In 1948, Roberto Rossellini directed the film version of the play,[1] an anthology film L'Amore which had two segments, "Il Miracolo" and "Una Voce Umana", the latter based on Cocteau's play. Jean Cocteau's iconic play explores our desperate need for human relationships - and the machine that has changed them forever. The telephone proved to be the perfect prop for Cocteau to explore his ideas, feelings, and "algebra" concerning human needs and realities in communication. Northwestern University Archives. Download. Are there any other external influences that play a part in the artwork? It is full of theatrical codes harking back to the Dadaists' Vox Humana experiments after World War I, Alphonse de Lamartine's "La Voix humaine", part of his larger work Harmonies potiques et religieuses and the effect of the creation of the Vox Humana ("voix humaine"), an organ stop of the Regal Class by Church organ masters (late 16th century) that attempted to imitate the human voice but never succeeded in doing better than the sound of a male chorus at a distance. Cocteau loved it: "Mon cher Francis, tu as fix, une fois pour toutes, la faon de dire mon texte (My dear Francis: you have worked out, once and for all, how to speak what I have written)". Only rarely does the attention stray from what she is asking us to credit as psychologically plausible. Professional productions, box 157 and Miscellaneous in box 158. The story involves one woman on stage speaking on the telephone with her (invisible and inaudible) departing lover, who is leaving her to marry another woman. Bookmate does not permit copyright infringing activities and infringement ofintellectual property rights onthe service, and will immediately remove the content upon receipt ofacompliant notification ofclaimed infringement. Read the original here. In Cocteau's play, the woman speaks of voices in the phone cord as voices of the dead; the interlocutor's disembodied ghost strangling her in a coiling wire around her neck. All of this is drawn from the available lexicon of contemporary telephone behaviour the kind of thing were all too familiar with overhearing on the bus. Touching the Azerbaijani Theatre: From Ritual to Spontaneity, The Digital Spectator. Previously, it seemed Ruth Wilson could make anything watchable, on stage or screen. The glass casing, which turns out to be a view into Wilsons home from her balcony, might have created a voyeuristic intimacy, as was the case in a smaller, far more effective production at Londons Gate theatre, starring Leanne Best, in 2018. UNSW Sydney apporte un financement en tant que membre adhrent de TheConversation AU. Even the regrettable moment when she tongue-kisses the mans empty shoe is made tolerable by the graceful and sincere effort she brings to the gesture. Jean Cocteaus 1930 play is a monologue disguised as a series of breakup phone calls in which we hear the anguish of a woman being left by her partner. Which is why it is a very odd decision to set this production in the present day. A translation and adaptation of Jean Cocteau's play "In the new adaptation, the colloquial style of the writing and the sense of here-and-now aids the cumulative effect of the woman's self torture () Text-Only View. Protected by copyright law. In Cinemas 19 MayMadness and melancholy intersect to thrilling effect as Almodvar reimagines Cocteau's short play The Human Voice for an era in which isolat. The human voice / by Jean Cocteau ; translated by Carl Wildman. From the Collection: The situation of Cocteaus play is historically unique: the rapid introduction of telephones into urban life in the 1920s. To read this book, upload an EPUB or FB2 file to Bookmate. At the library The others are personal photographs of family, friends and business associates and of trips and special events.Artifacts: Boxes 159-160, contain date books, drawings, sketchbooks and wallets.Oversize: Boxes 161-190, plus 13 flat files. comment. The director Ivo van Hove also adapts Cocteau's script and manages to divest it of its raw emotional power and momentum. Cocteau's text is now better known and more frequently produced as Poulenc's opera of the same name (much beloved by Cocteau himself). . Strange Way of Life is Almodvar's second English-language production, after The Human Voice, a 2020 short film starring Tilda Swinton and based on the play by Jean Cocteau. Jean Cocteau wrote it in 1928 as a simple showcase for an actress's range, and it's been done on stage by Ingrid Bergman and Liv Ullman, adapted into an opera by Poulenc and a film by Almodovar,. on the Internet. The telephone proved to be the perfect prop for Cocteau to explore his ideas, feelings . The Human Voice, Jean Cocteau, undated Scope and Contents From the Collection: The Marshall W. Mason Papers fill 190 boxes and 13 flat files and contains biographical materials, correspondence, scripts, books, serials, playbills, VHS tapes, audio cassettes, CDs, LP records, digital files, photographs, posters, stage set models and artifacts. With Ingrid Bergman. Scattering Chinese Art with The First-Ever Metaverse Theatre Festival, Exploring Palestinian Allyship in Decolonizing Sarah. [1] [3] It consists of two parts, The Human Voice ( Una voce umana ), based on Jean Cocteau 's 1929 play of the same title, and The Miracle ( Il miracolo ), based on Ramn del Valle-Incln 's 1904 novel Flor de santidad. recently left her. Physical description 13 p. ; 27 cm. Marshall Mason (1940- ) Papers, 31/6/194. These are recordings of plays and interviews. Julian Murphet ne travaille pas, ne conseille pas, ne possde pas de parts, ne reoit pas de fonds d'une organisation qui pourrait tirer profit de cet article, et n'a dclar aucune autre affiliation que son organisme de recherche. Most troublingly, there is a whiff of the old cliche around womens suicidal heartbreak which dooms this character to an Anna Karenina fatalism. About this Item. Find in a library; Find at Google Books; Of particular importance are the books Mason wrote, The Transcendent Years, Circle Repertory Company & the 1960s and Creating Life on Stage, A Director's Approach to Working with Actors. In various ways the. All in all an exciting story and short script. In various ways, the world of this play is no longer ours. The Human Voice, Jean Cocteau, undated, Box: 43, Folder: 7. % [3] There was also a 1998 BBC Radio production by Robin Rimbaud. Enter your password to log in. The Holy Terrors: (Les Enfants Terribles), Art and Faith: Letters between Jacques Maritain and Jean Cocteau. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. The Human Voice, Jean Cocteau, undated, Box: 43, Folder: 7. The Human Voice Jean Cocteau, Daniel Raggett Book details Table of contents Citations About This Book 'I'm whispering into your ear - and we couldn't be further apart.' A woman, a phone call, a final conversation. Travel and Special Interest, box 124, are books and brochures regarding travel and subjects that Mason was particularly interested in. What we witness is a high-octane, psychologically-driven, breathless kind of naturalism; Reijn is a veritable human fountain of tics and defensive postures and giggles and faux-tough mannerisms. All rights reserved. This deprivation of dramatic oxygen means we both sympathise with the psychological asphyxiation of the lead character and assume a critical stance towards it. Detailshere. The situation of Cocteaus play is historically unique: the rapid introduction of telephones into urban life in the 1920s. The human voice a play = La voix humaine by Jean Cocteau 0 Ratings 3 Want to read 0 Currently reading 0 Have read Overview View 4 Editions Details Reviews Lists Related Books Publish Date 1992 Publisher S. French Language English Pages 15 This edition doesn't have a description yet. This article was first posted on www.theconversation.com. These structural anachronisms violate the material being performed: the throng of other voices on the line; the precious rarity of a connection; the sense of the telephone as the only, precarious method of contact across a large city. Image credit: Sydney Festival Ive been forced to revise that opinion. Monodramas are a big ask. In this extraordinary and prophetic monologue a woman fights for the person she loves. In 1958 Francis Poulenc composed an opera to Cocteau's text. In his short film THE HUMAN VOICE - based freely on the stage play by Jean Cocteau - master auteur Pedro Almodvar takes a minimalist concept ("a text and an actress") and experiments like never before. Be the first one to, *Cocteau - The Human Voice - 1960 Bergman, Advanced embedding details, examples, and help, Terms of Service (last updated 12/31/2014). 020 7565 5024, A woman awaits and receives a phone call from her lover who has recently left her. In The Human Voice, the red dress takes the form of a spectacular haute couture Balenciaga dome number that undulates as a gaunt and drained Swinton paces alone on the dusty sound stage, making her seem like a flowing, walking flame (as she confesses, "I am what's burning, my love"). These were sent to Mason for his consideration. New instruments are now improving the care and treatment of the voice Twenty years ago the human voice was a mystery. For the most part the original order has been kept as it reflects Masons life and career.Biographical: Boxes 1-5. cocteau-the-human-voice-1960-bergman Scanner Internet Archive HTML5 Uploader 1.6.4 Year 1960 . (not more than 5 at once). I lost patience when Wilson was required to growl, whine and bark like a dog, then balance the receiver on her face, praying to God for a callback. In this extraordinary and prophetic monologue a woman fights for the person she loves. endobj The woman plays her mindless pop music off an iPod. :S,pXk }$|. The music, which consists of a few generic pop songs, and a truly awful dirge-like French theme song, heard intermittently throughout, and then given a spectacularly prominent few minutes in the foreground, is both very bad and poorly integrated into the drama Paul Simons 50 Ways to Leave Your Lover, for instance, is the play-out ditty banalising her suicide. English & French Imprint Paris : Ricordi ; Melville, N.Y. : Exclusive distribution for the U.S.A., Belwin Mills, c1977. Are you an academic or researcher? Part II Her Majestys Theatre, London. There is one painfully passive moment when she is pinned to the wall, her back to us, while we listen to Radioheads How to Disappear Completely, from beginning to end, which not only brings tedium but also gives the dehumanised impression of a dead insect caught on fly-paper. Facebook would presumably have saved this woman from her fate. More than that, the performance style that director Ivo Van Hove has asked of his performer, Halina Reijn, is at an obtuse angle to the play itself. It becomes as stripped and sterile as the empty glass box of a set,. An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the telephone with the man she loves, but who has abandoned her for another. As she unravels, there are hints of psychosis is her lover merely a voice in her head? %PDF-1.4 (modern). In Daniel Raggett's production for The Gate, there is nothing but . is bleeding, losing her life's blood, like a wounded beast, He is to marry another woman the next day, which causes her to despair. As a woman waits for her ex-lover to collect his suitcases from her flat, she gets one last chance to speak to him over the phone. Professor in Modern Film and Literature, Director of the Centre for Modernism Studies , UNSW Sydney. You can opt-out at any time by signing in to your account to manage your preferences. This must count as an aesthetic failure, since the script specifically states there is an entire city stretched out between them, which is what gives the difficult telephone conversation its dramatic urgency. With this new inhuman instrument now the prime mediator of the "human voice" that rich sonorous carrier of "soul" broken down into electrical signals and travelling at light-speed rather than the speed of sound the very substance of intimacy had been usurped. Just answer a few questions. The woman plays her mindless pop music off an iPod. The bag full of hand-written letters she is supposed to return; the telegram that catalysed their love; the telephone exchange enabling their contact; and the party line buzzing with other voices this world is extinct. You can live your whole This estimator is only for amateur productions. Harold Pinter Theatre, to 9 April. In Cocteaus play, the woman speaks of voices in the phone cord as voices of the dead; the interlocutors disembodied ghost strangling her in a coiling wire around her neck. A stage production starring Ruth Wilson ran at the Harold Pinter Theatre in 2022, with minimalist stage design by Jan Versweyveld. Unfortunately, Bookmate cannot review all the uploaded files due tolack oftechnical feasibility. Within these constraints and failures, all of which belong to the director, Reijn herself remains a mesmerising presence. In various ways the world of this play is no longer ours. Contact the Arts + Culture editor. At their worst, they break the time-honoured theatrical covenant with us, and simply outstay their welcome. A woman, a phone call, a final conversation. Of special interest is information on Caf Cino and the Antoinette Perry Award, memorabilia.Awards: Boxes 153-155, contain awards and nominations received by Mason during his career. Cocteau, Jean, 1889-1963. We will keep fighting for all libraries - stand with us! Rail services disrupted after person hit by train in north London, 100 officers injured amid violence during pension protests in France, Aerosmith announce farewell tour marking 50 years together, Explosion derails train in Russian town near border with Ukraine, Royally Big Portrait of the King unveiled ahead of coronation, Donald Trump says its great to be home as he arrives in UK, Shakespeares Globe Iftar is a reminder of forgotten England-Islam relationship, Private Lives at the Donmar Warehouse review: joyless affair fails to spark, The Evening Standard Theatre Podcast | Creators of Operation Mincemeat: A New Musical. A brand new version of this classic text is translated by Daniel Raggett and staged at the Gate Theatre 34 years since it was first produced there. Have you already read it? ot even Ruth Wilsons limpid talent can breathe life into this dated, 70-minute solo show, in which a woman goes to pieces discussing the end of an affair with her unheard lover over the phone. What the group calls the pieces timelessness is only what is most formulaic and clichd about it; what hurts in it is its situatedness in history. How did you like it? Written by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney, Halina Reijn onstage at Carriageworks in Cocteaus La Voix Humaine. Cocteaus woman is a pure abstraction of the feminine; but this performance collapses the abstraction into a user-friendly TV-style of verite. The Marshall W. Mason Papers fill 190 boxes, 13 flat files, and 109.9 gigabytes of born-digital files and contains biographical materials, correspondence, scripts, books, serials, playbills, VHS tapes, audio cassettes, CDs, DVDs, LP records, digital files, photographs, posters, stage set models and artifacts. [1] It is set in Paris, where a still-quite-young woman is on the phone with her lover of the last five years. The latter film also probed the frenzied mind of a woman recently dumped, though amid a slew of chaotic subplots, never worked its way to the cathartic phone conversation that forms the spine of . Using the telephone as a metaphor the cut or crossed lines a mirror to the couples emotional disconnect it is not just a dramatic experiment in voice but a painfully human play about being desperately, frantically, in love with someone as they coolly walk away. Read our, {{#verifyErrors}} {{message}} {{/verifyErrors}} {{^verifyErrors}} {{message}} {{/verifyErrors}}. Veteran Spanish director Pedro Almodvar (Women on the Verge of a Nervous Breakdown) has adapted Jean Cocteau's short play The Human Voice into this extremely stylish, brilliantly realised . What the opera does brilliantly is allow the music to contain the waves of violent emotion while the script itself remains extremely spare. Cocteau said he wrote this play after his stable of female actors complained that their parts were too writer-director dominated. They are now working on Jean Cocteau's The Human Voice and it's a crashing bore.. Cocteau's fraught monodrama, which premired at the Comdie Franaise in 1930 with Berthe Bovy in the lead role, lasts 35 minutes.
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